Shred guitar or shredding is an advanced solo guitar that plays guitar style, based on a variety of advanced and complex game techniques, especially fast and sophisticated performance effects. Music critics have argued that broken guitars are associated with "alternative quick picking, drawn arpeggio, diminished and harmonized scales, finger tapping and whammy-bar torture", while others argue that it is a fairly subjective cultural term used by guitarists and fans guitar music. It is commonly used with reference to heavy metal guitar playing, where it is associated with fast tapping solos, swift scales and arpeggio runs and special effects such as whammy bar "diving bomb". Metal guitarists who play in "broken" style use electric guitars with guitar boosters and various electronic effects such as distortion, which creates a more sustainable guitar tone and facilitates guitar feedback effects.
The term is sometimes used with reference to virtuoso play by instrumentalists other than guitarists, such as with virtuoso bass Billy Sheehan (who has toured with electric guitar shredder Steve Vai). The term "broken" is also used outside of metal idioms, especially in bluegrass musicians and jazz-rock electric fusion guitarists.
Video Shred guitar
Histori
Ritchie Blackmore, best known as Deep Purple and Rainbow guitarist is an early shredder. He founded Deep Purple in 1968 and incorporated elements of blues, jazz and classics into high-speed virtuosic rock guitar games. Songs like 'Highway Star' or 'Burn' from Deep Purple and 'Gates of Babylon' from Rainbow are great examples from the original snippet. Blackmore broke away from the pack by using elaborate arpeggios and small scales harmoniously. His influence on Randy Rhoads and Yngwie Malmsteen is definitive for the evolution of the genre.
In 1969, guitarist Jimmy Page from Led Zeppelin composed 'Heartbreaker'; His guitar solos introduce many complicated techniques combined (very quick notes playing with hammers and pull-offs). The page includes a quote of classical music in the solo when playing it directly. Steve Vai commented on that in a September 1998 interview Guitar World :
This one 'Heartbreaker' has the biggest impact on me as a young man. It's challenging, courageous, and edgier from hell. This really is a definitive rock guitar solo.
In 1974, the German band Scorpions used their new guitarist, Ulrich Roth for their album Fly to the Rainbow, in which the title song featured Roth's appearance... one of the most threatening whammy and strong dive bar bombs ever recorded ". A year later, Roth's solo guitar playing for In Trance's album... will be a prototype for a broken guitar.Everything related to the genre can be found in this collection of brilliant songs - broomstick -selp arpeggio, harmonious small scales, finger tapping and... Ã, disgusting whammy-bar neglect ".
In 1979, Roth left the Scorpions to begin his own trio of powers, named "Electric Sun". Her debut album Earthquake contains "... a stunning stack of franc gym games... and classic nimble-finger exercises." In 1978, an "unknown guitarist named Eddie Van Halen" from Los Angeles released "'Eruption', a blazing aural aura of solo electric guitars" that featured a quick "wiretap", "rarely heard in previous rock contexts". Chris Yancik argues that this is a "note, above the others, that gave birth to the Shred genre."
Guitar Players "Blast Into Hyperspace With The Otherworldly Power Of Shred" reviews the book Shred! and stated that the pioneers are "Ritchie Blackmore, [jazz fusion player] Al Di Meola and Eddie Van Halen". Randy Rhoads and Yngwie Malmsteen developed this style further with the infusion of Neo-classical elements. Progressive rock, heavy metal, hard rock, and jazz fusion have used and adapted the style successfully for many years. In general, the phrase "broken guitar" has traditionally been associated with instrumental rock guitar and heavy metal guitarist. This association has become less common now because the modern forms of metal have adopted shredding as well. In the 1990s, its main attraction diminished with the advent of grunge and nu metal, both of which avoided the striking guitar solo guitar. Lesser known guitarists like Shawn Lane and Buckethead continued to develop more genres in the 90s.
In an interview in March 2011, Steve Vai describes 'shreds' as:
The terminology is used for someone who can play a musical instrument, and has an amazing technique so that what they do seems really easy and does not make sense. It's like a burst of energy that has just come out of a very quick tear type from playing where notes are actually connected. Corrupt must have a certain type of 'plug' for it, I think, that really gives you that 'blow' factor that makes it impressive, to some extent. "
Maps Shred guitar
Play style
Shredding includes "sweep, alternate and tremolo picking; string skipping; multi-finger tapping; slurs, [and] trills." Speed ​​Making, Legato, Tapping, [and] Sweep Picking Technique Choosing to know - sweep picking, tapping, legato playing, whammy bar tricks, speed riffing, [and] thrash chording. Defective guitarist uses two or three octaves, triads, or modes of scale, playing up and down at a fast tempo. Often such runs are arranged in the form of complex sequential patterns, creating more complex feelings. Shredding has been used by many guitar players and became an important technique in metal guitar.
Alternatively, licks can be played with a large selection of notes (choose alternatives), or choose only the first or second note of the string followed by a quick succession of hammer and/or pull-offs. Rhythmically, the paper shredder may include the proper use of syncopation and polyrhythms. Sweep picking is used to play fast arpeggios on the fretboard (sometimes on all strings). This tapping technique is used to play fast-growing notes or play arpeggios or scalar patterns using pure legato without picking (the selected hand is used to "tap" the note on the fretboard). Various techniques are used to perform parts with wide intervals, and to create a flowing legato sound. Some players use a complex combination of tapping, sweeping, and picking classic style fingers. This increases the speed by reducing the movement of the picking hand.
The focus of the 2000s on fast guitar games centered around the speed competition using mainly the classical music section of Flight of the Bumblebee, which included playing very fast. Many broken guitarists show their mastery of pieces and others on sites like YouTube. Philip Taylor and a few others show their speed on this website.
Tools
Damaged guitar players often use electric solidbody guitars like Ibanez, Gibson, Fender, Kramer, Kiesel/Carvin, Jackson, Charvel, Schecter and ESP. Some broken guitarists use complicated models by B.C. Rich or Dean, as well as modern versions of classic-radical designs such as Gibson Flying V and Explorer models. Tremolo bars (also known as "whammy bars"), which are hinged bridges that can be bent or climbed onto the field, are an important part of the flake game, because they allow the "diving bombing" effect and many unlikely voices with a fixed bridge instrument.
The guitar with double-cutaways gives players easier access to a higher fret, allowing extended space for restless hands to get extended range to a higher tone from the fretboard. Some defective guitars, such as Scorpions' Ulrich Roth, have used custom-made tremolo rods and developed modified instruments, such as Roth's "Sky Guitar", which will greatly expand his instrumental reach, enabling him to achieve previously reserved records in the string world for cello and violin. "
Most damaged guitar players use various effects such as distortion and audio compression units, both of which improve maintain and facilitate the performance of damaged techniques such as tapping, hammering, and pull-offs. These and other effects units, such as delay effects are also used to create unique tones. Frequent-style guitarists often use high vacuum tube amplifiers such as Marshall, Carvin, Peavey, Soldano, Mesa Boogie, Orange Amplification, Laney, Hughes & amp; Kettner and Randall. To facilitate the use of audio feedback effects with the guitar, broken guitarists use high gain settings, distortion pedals and high volumes on stage.
In media
In 2003, Guitar One Magazine chose Michael Angelo Batio as the fastest shredder of all time. In the same year, Guitar One chose Chris Impellitter as the second fastest destroyer of all time followed by Yngwie Malmsteen in third.
In 2011, Guitar World magazine focused on fornication beyond the heavy metal music genre with articles covering the Top 5 Shredding Bluegrass song. This list includes songs by instrumentalist Tony Rice, Josh Williams, Bryan Sutton, Chris Thile and David Grier. List of Radar Music from the top 20 best time guitarists featuring Al Di Meola, John Petrucci and Steve Vai as the top three, respectively. Guitar World rated Al Di Meola - Elegant Gypsy Van Halen Van Halen and Ozzy Osbourne Blizzard of Ozz i>> (featuring Randy Rhoads on guitar), as three albums were broken all the time, respectively.
References
External links
- The Musicradar photo gallery that shows website selection for "The Top 20 Destroyers of All Time"
Source of the article : Wikipedia