The Irish dance is an Irish traditional dance form, which includes both solo and group dancing, and dancing for social, competitive and performance purposes. Irish dance in its present form evolved from various influences such as the French quadrant and danced the English state throughout the 18th and 19th centuries. Dance was taught by "dance travel teachers" throughout Ireland during this period, and a separate dance form developed in accordance with regional practices and objectives different. Irish dance became an important part of Irish culture, especially for the Irish nationalist movement. From the early 20th century, organizations promoted and codified various forms of dance, creating competitive structures and standard styles.
The Irish dance of Solo includes Ireland's most famous form of dance, Irish step dance, popularized from 1994 onwards by dance performances such as Riverdance, and practiced competitively throughout the Irish diaspora. The step dance is characterized by a stiff upper body and elaborate footwork of its players. Other forms of Irish solo dances include sean-nÃÆ'³s dance, a relaxed and social dance style involving improvisational steps, and Irish dance festivals, a style separate from step dance in the mid-20th century.
The Irish dance in the group consists of a number of styles and traditions, which evolved from French and English dances and formations. The Ceili dance, practiced both on a competitive and social basis, is conducted by groups of two to sixteen persons, and often uses traditional or codified dances and formations. The movements are simple, and the emphasis is placed on the figures and formations of the dance. The organized dance is primarily a social tradition, for a group of four dancers, and includes elements of complicated foot movements found in step dance.
Video Irish dance
Histori
There is little documentary evidence of dance practiced in Ireland before the 17th century. Scholars have hypothesized that this can result from an inseparable and consequent nature of dance in pre-modern Irish society, or from the non-literacy of Irish cultural traditions. Indeed, modern Irish words for "dance", "rince and damhsa did not develop until the 16th century. The small evidence available is mainly from visitors to Ireland, such as the fourteenth century song written in South England, where the poet invites his listeners to "come ant leaf wyt me in Irlaunde". The first original Irish documentary evidence of dancing was a report from Waterford Mayor's visit to Baltimore, County Cork in 1413, where the participants "took to the floor" to celebrate Christmas Eve. However, Norman's invasion of Ireland in the twelfth century is likely to carry a tradition of round dance, as it was done simultaneously in the Norman strongholds.
The story of dancing in the seventeenth century shows that dancing at that time was very widespread throughout Ireland. A report from 1600 mentions that Irish dances are a similar group dance in the form of British state dances, and the later reference mentions "rinnce fada", also known as "long dance" or "Fading". This dance, performed with the jig rhythm although not on a particular piece of music, became the customary conclusion for the ball that was held in Ireland towards the end of the seventeenth century. At this time, dancing is usually accompanied by musicians who play bagpipes or harps of Jews.
In the 1760s, the typical horn rhythm of the Irish dance tradition had flourished, and with the introduction of the violin to Ireland from continental Europe, a new class of "dancing masters" began to emerge.
Irish dancing tradition may grow in connection with traditional Irish music. Although its origins are unclear, it is then influenced by the dance form of the Continent, especially Quadrille. Traveling with dancing masters was taught throughout Ireland in the late 18th and early 19th century. Since local places are usually small, the dance is often shown on a table, or even the top of the barrel. As a result, this initial force is characterized by a rigidly held arm on the side, and a lack of lateral movement. When larger dance venues become available, the styles grow to include more body movement and around the dance area.
Maps Irish dance
Stepdance Ireland
Various forms of Irish solo dance have been developed which are described as stepdance. This includes the well-known "modern" step that is done competitively; stepdance of the old style, which is closer in the dance style practiced by the dance masters of 19th century travel; and festival dance, separate from the modern stepdance of stylistic and administrative disputes in the mid-20th century.
Modern stepdance
The most dominant form of Irish stepdance is popularized by the Broadway Riverdance show, and other Irish dance performances since the late 20th century. Characterized by a rigid body and dance performed high on a football, this style became distinct from the late nineteenth century when the Gaelic League began an effort to preserve and promote Irish dance as part of a broader nationalist movement relating to Irish culture. In 1929, the League formed the CoimisiÃÆ'ºn Le RincÃÆ' Gaelacha (Irish Dance Commission) to codify and standardize competition and stepdancing education. Over the next decades, the CLRG is expanded globally, and promotes this form of special steps by developing exams and qualifications for competitor teachers and jurors. Currently, stepdance in the style codified by the Gaelic League is carried out competitively in a number of countries, and under the auspices of a number of organizations that are at various times apart from the CLRG.
Dance
The solo solo stepdance falls into two broad categories based on the shoes worn: bob shoes (or heavy shoes) and shoes soft shoes (or light shoes).
Ada empat gaya tarian sepatu lembut: reel , slip jig , jig cahaya dan jig tunggal (juga disebut sebagai hop jig ). Reels memiliki 4
4 ( atau terkadang 2
4 atau < span> 2
2 ) tanda tangan waktu. Slip jig berada dalam 9 < br> 8 waktu. Cahaya dan jig tunggal berada dalam 6
8 waktu, dengan penekanan berbeda dalam ukuran yang membedakan musik. Tarian sepatu keras termasuk terompet dalam sinkopasi 2
4 atau 4
4 waktu, treble jig (juga disebut heavy jig atau double jig ) dalam waktu yang lambat 6
8 , treble reel (tarian sepatu keras dilakukan untuk menggulung musik) dan set tradisional , yang merupakan kelompok tarian dengan musik dan langkah-langkah yang ditetapkan. Banyak set tradisional memiliki ungkapan musik yang tidak teratur. Ada juga "set non-tradisional" yang lebih maju yang dilakukan oleh penari tingkat lanjut. Ini telah mengatur musik, tetapi bukan langkah. Ada beberapa perangkat tradisional, termasuk Hari St. Patrick, Blackbird, Pekerjaan Perjalanan Darat, Tiga Kapten Laut, Taman Aster, dan Raja Peri.
Competitive dancers generally dance two or three steps at a time, depending on their dance level. Every step takes sixteen music bars. They each danced starting with the right foot for eight bars, then repeated with the left foot for the last eight bars, performing the same movement with the opposite legs. Define the dance, however, to have a different format. Dancers usually dance one step, which is limited to eight bars, and then repeated, resembling other dance steps. So dancers usually dance "set" that is not repeated. This is a highly sought-after and competitive feat for this "third-round" dance - in regional, national and world competitions, only a small percentage (usually the top half of the dancers graded after the first two rounds) of dancers are invited back to perform.
The cae dance used in the competition is a more appropriate version of those who dance in a less formal atmosphere. There is a list of 30 dance cÃÆ' Â © ilÃÆ' which has been standardized and published in An CoimisiÃÆ'ºn's Ar Rinncidhe Foirne as an example of a typical Irish folk dance; this is called "book" dance by competitive dancers. Most Irish dancing competitions only ask for a short section of the dance given, for the sake of time.
Shoes and costumes
There are two types of shoes; soft shoes (also known as ghillies or pumps) and hard shoes. Hard boots are similar to tap shoes, except that the tip and heel are made of fiberglass, not of metal, and are significantly larger. The first hard boots have either wooden or leather taps with metal spikes. Then the faucet and heel are made of resin or fiberglass to reduce the weight and make the sound louder. Soft shoes, called ghillies , are black lace boots. Ghillies are only worn by women, while boys wear black leather shoes called "reel shoes", which resemble black jazz shoes with hard heels. Dancing soft shoes Boy features click heel sound. New trends include adding white straps to soft shoes, and white ribbons to laces to give the illusion of foot lengthening.
A few generations ago, the right outfit for a competition was simply "Sunday best" (clothes that people would wear to church). Irish Dance Schools generally have school dresses, worn by lower-level competitors and in public performances. When dancers advance in a competition or are given a lead role in a public show, they may get a solo dress with their own design and color or wear a team dress. In the 1970s and 1980s, embroidered dresses became popular. Today even more ornaments are used on women's clothing. A unique solo dress for every dancer. Nowadays most women and girls wear wigs, buns or cuddly for the competition, but some are still rolling their own hair. The costumes are highly integrated into Irish dance culture and feature traditional elements of classical farmer's clothing decorated with Celtic designs. Most men wear shirts, vests, and ties that are paired with black trousers. Every dance school in Ireland has a distinctive skirt dress, often featuring lace or embroidered patterns copied from the medieval Irish Kells Book.
Competition structure
Organized dance competitions are referred to as feis (pronounced "fesh", plural feiseanna ). The word feis means "festival" in Irish, and expressly also has a competition in music and crafts. FÃÆ' Â © ile (/'fe? L?/) is a more appropriate term for dance competition, but the term can be used interchangeably. The dance competition is divided by age and skill level. The names of the levels and other organizing rules vary between countries and territories. Dancers are rated by technique (footing, lethal, loosening from their heels, etc.), Style (grace, strength, etc.) And other items such as timing, rhythm, and sound in their dancing shoes.
The annual regional championship competition is known as oireachtas (/o? 'R? Kt? S/). CoimisiÃÆ'ºn held various "national" championships competitions. Each major Irish dance organization hosts major championships, with various degrees. The World Championship CoimisiÃÆ'ºn is the largest, with over 6,000 dancers competing from over 30 countries around the world. The Aisling (pronounced 'Ashling', Gaelic for Dream) is awarded to the highest dancers in each category of the supervisors (Mexico, Central and South America, Europe, Africa and Asia) to encourage them to continue their dancing dreams.
Oireachtas Rince na Cruinne, or "The World Championships" (for a CoimisiÃÆ'ºn dancer), was first held in Dublin in 1970 at ColÃÆ'¡iste Mhuire, a school in Parnell Square. The "Worlds" surpassed its original location and moved around the Republic of Ireland and Northern Ireland. In 2002, for the first time, "The World" left Ireland for Glasgow. In 2009, for the first time, the World Championships were held in the United States, in Philadelphia. The 2011 Championship was held once again in Dublin. The 2012 championships are held in Belfast, with the 2013-2016 World Scheduled for Boston, London, MontrÃÆ'Â ÂÅ and Glasgow respectively. The BBC documentary Jig provides insight into competing championship level dancers at the 2010 World Championships held in Glasgow. Oireachtas Rince Na Cruinne will be held in Dublin in 2017. Oireachtas Rince Na Cruinne will be held in Glasgow in 2018.
CoimsiÃÆ'ºn also holds Oireachtas Rince na hÃÆ' â € ° ireann, or "All Irelands" which will not last until February 2018, since the date has been moved from October. Location for 2018 has not been announced.
The Comhdhail World Championships take place every Easter week, with competitions held in Killarney in 2015. The largest NAIDF (North American Irish Dance Federation) competition today is The Nationals held at Lehigh University in Bethlehem, Pennsylvania, in 2010, and at The Valley Forge Convention Center in Pennsylvania in 2012. WIDA (World Irish Dance Association), which mainly dancers from European countries, also holds their own World Championships and Europeans during Easter week, with competitions held in Berlin in 2011, and scheduled for Poland in 2012.
Old style dance
Old-style step dance is a tradition associated with, yet different from, dancing nan-nÃÆ'³s, though sometimes called "Munster-style sean-nÃÆ'³s". The old-style step-dance evolved in the late 18th and early 19th century from the dance of dancing Irish dance teachers. The dance masters are slowly formalized and change solo and social dances. Modern masters of old style style dancing steps can trace the lineage from their step straight back to the 18th century dancers.
Irish dance masters distill and codify the Irish native dance tradition. Rules arise about the proper placement of the body, arms, and legs. In addition, dancers are instructed to dance a step twice - first with right foot and then left. Old style step dancers dance with loose (but not stiff) arms on their sides. They dance in confined spaces. There is an emphasis on making percussion sounds with toes. Irish dance teachers during this period also made choreographic special steps for certain songs in traditional music that created solo traditional dances such as Blackbird, St Patrick's Day, and Job of Journey Work, which also survived in modern Irish stepdancing. In this context, "arranging dance" signifies a tradition separate from the social dance tradition which is also called regulated dance.
Dance festival
Following the CLRG criticism because of its emphasis on certain stages of the steps to harm others, dance teacher Patricia Mulholland developed a new style of stepdance, beginning in the 1950s. It is described as a form of "folk ballet" that appeals to dancers of Catholic and Protestant religious beliefs. Like other forms that share modern stepdance inheritance but have departed from its codification, festival dance emphasizes individuality and more relaxed style and posture practices.
Sean-nÃÆ'³s Dance
Sean-nÃÆ'³s, or "old-style" dance is an Irish dance form originating from the western region of Ireland. It has been described in various ways as a stepdancing regional style, and as a completely separate style that is virtually unknown outside the small area until the end of the 20th century. This is distinguished by the percussive but low to the ground motion compared to the step dance, and by its more free nature. The offender uses a more relaxed posture, and improves the steps to fit the music. Usually, the dance sean-nÃÆ'³s are performed in small spaces, traditionally the doors are laid flat and table tops.
Irish cÃÆ' Â © ilÃÆ' dancing
Irish social dance, or caÃÆ' Â © ili varies widely across Ireland and other parts of the world. Dance cÃÆ' Â © ilÃÆ' may be done with as few as two people and as much as sixteen.
CÃÆ' Â © ilÃÆ' dances can also be danced with an unlimited number of pairs in long lines or resume in circles (such as in "The Walls of Limerick", "The Waves of Tory", "Haymakers Jig", "An Rince Mor" Campfire Dance "). CÃÆ'Â Â ilÃÆ' dance is often fast and some are very complex ("Antrim Reel", "Morris Reel").
In a social setting, ca ilia dance may be "called" - that is, future steps are announced during dance for the benefit of newcomers. The dance cÃÆ' Â © ilÃÆ' is usually danced to Irish instruments such as Irish bodhrÃÆ'¡n or violin beside concertina (and similar instruments), guitars, whistles or flutes.
The term cÃÆ'  © ilÃÆ' dance was discovered at the end of the 19th century by the Gaelic League. CÃÆ'  © ilÃÆ' as a noun different from the adjective caÃÆ'  © ilÃÆ' . A caÃÆ'  © ilÃÆ' is a social gathering featuring Irish music and dance. CÃÆ'  © ilÃÆ' dancing is a typical Irish dance type. Some cÃ… © ilithe will only dance cà © ilÃÆ', some only have set up dancing, and some will have a mix.
Irish dance set
The Irish dance set (also referred to as "dance set country") is a dance based on French quadrilles adapted by Ireland by integrating their sean-nÃÆ'³s and Irish music steps. The distinguishing characteristic of the Irish set dance is the dancing in a square set of four pairs (eight people), and consists of several "numbers," each of which has a number of sections, often repeated across the set. Every part of the organized dance (picture) is danced to musical tempos, mostly scrolls, jigs and hornpipes. These devices are from different parts of Ireland and are often named after their place of origin; examples are Corofin Plain Set, South Galway Set, and Clare Lancers Set.
Source of the article : Wikipedia
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