Modern sculpture is generally thought to have started with the work of Auguste Rodin, who is seen as the ancestor of modern sculpture. While Rodin does not intend to revolt against the past, he creates new ways to build his work. He "dissolved the contemporary Neo-Greek academic hardliners, and thus created an important synthesis of darkness and transparency, volume and emptiness." Together with several other artists in the late 19th century who experimented with new artistic visions in sculptural art such as Edgar Degas and Paul Gauguin, Rodin found a radical new approach in the creation of sculptures. The modern sculpture, along with all modern art, "emerged as part of Western society's efforts to come to terms with the urban, industrial and secular society that emerged during the nineteenth century."
Modernist sculpture movement including Art Nouveau, Cubism, Geometry abstraction, De Stijl, Suprematism, Constructivism, Dadaism, Surrealism, Futurism, Formalism Abstract Expressionism, Pop-Art, Minimalism, Postminimalism, Land Art, Conceptual Art, and installation art among others.
Video Modern sculpture
Modernism
The modern sculpture movement can be said to begin at Rodin's exhibition at the Universal Exhibition held in Paris in 1900. At this event Rodin exhibits statues of Burghers of Calais, Balzac, Victor Hugo, and exhibits including the first public performances of his Gates. Hell that includes The Thinker.
The cubist sculpture, at the beginning of the 20th century, is a style developed in parallel with cubist painting, and formal experiments of Georges Braque and Pablo Picasso. Beginning around 1909 and expanding through early cubist artists early 1920s developed new ways of building artwork using collage, sculpture assemblies using different materials and traditional sculpture of plaster and clay molds. Some sources call 1859 bronze Picasso Head Women
At the beginning of the twentieth century, during the period of cubist innovation, Pablo Picasso revolutionized sculpture as he began to create his construction by combining different objects and materials into a constructed part; Picasso rediscovered sculpture with his innovative use in building a work in three dimensions with different materials, which is equivalent to a collage statue in two-dimensional art. Just as collage is a radical development in two-dimensional art; as well as the construction of radical developments in a three-dimensional sculpture. The emergence of Surrealism leads to things that are sometimes described as "statues" that would not have been so before, such as "unconscious statues" in some sense, including coulage. In later years Picasso became a productive, lead, artist with interest in historic pottery from around the world, to revive ceramic art, with figures such as George E. Ohr and later Peter Voulkos, Kenneth Price, and Robert Arneson. Marcel Duchamp derives from the use of "found objects" (French:
Similarly, the work of Constantin BrÃÆ'n ¢ ncu? I at the beginning of this century paved the way for the later abstract sculpture. In rebelling against the naturalism of Rodin and his contemporaries in the 19th century, BrÃÆ'nà ¢ ncu? I filter the subject up to their essence as illustrated by the elegant form of the Bird In Space series (1924). This elegant form becomes synonymous with 20th century carvings. In 1927, BrÃÆ'nà ¢ ncu? I won a lawsuit against a US customs authority who tried to appreciate his sculpture as a raw metal. The lawsuit led to legal changes allowing the import of duty-free abstract art.
Impact BrÃÆ' Â ¢ ncu? I, with its reduction and abstraction vocabulary, was seen throughout the 1930s and 1940s, exemplified by artists such as Gaston Lachaise, Sir Jacob Epstein, Henry Moore, Alberto Giacometti, Joan MirÃÆ'³, ÃÆ' smundur Sveinsson, Julio González, Pablo Serrano, Jacques Lipchitz and also by abstract sculptures of the 1940s were affected and expanded by Alexander Calder, Len Lye, Jean Tinguely, and Frederick Kiesler who are pioneers of Kinetic art.
Maps Modern sculpture
Post-1950s
Since the 1950s, Modernist trends in both abstract and figurative sculpture have dominated the public imagination and the popularity of sculpture Modernists have ruled out the traditional approach. Picasso was commissioned to create a maquette for a 50 foot (15 m) tall public statue to be built in Chicago, commonly known as the Chicago Picasso. He approached the project with great enthusiasm, designing an ambiguous and somewhat controversial statue. What the figure represents is unknown; can be birds, horses, women, or completely different abstract shapes. The statue, one of the most recognizable landmarks in downtown Chicago, was inaugurated in 1967. Picasso refused to be paid $ 100,000 for it, donating it to the people of the city.
In the late 1950s and 1960s, abstract sculptors began experimenting with new materials and different approaches to creating their work. Surrealist images, anthropomorphic abstractions, new materials and new energy source combinations and varied surfaces and objects characterize many new modernist sculptures. Collaborative projects with landscape designers, architects, and landscape architects extend outside sites and contextual integration. Artists such as Isamu Noguchi, David Smith, Alexander Calder, Jean Tinguely, Richard Lippold, George Rickey, Louise Bourgeois and Louise Nevelson came to characterize the look of modern sculpture.
In the 1960s. Abstract expressionism, geometric and minimalist abstraction, which reduces the statue to the most important and fundamental traits, dominates. Some of the period's works are: the works of Cubi David Smith, and the welded steelworks of Sir Anthony Caro, as well as sculptures welded by various sculptors, large-scale works of John Chamberlain, and the scale of environmental installations working with Mark in Suvero. Other Minimalists and Postminimal include Tony Smith, Donald Judd, Robert Morris, Anne Truitt, Ronald Bladen, Giacomo Benevelli, Arnaldo Pomodoro, Richard Serra, Carl Andre, and Flavin, Eva Hesse, Christo, Walter De Maria, Robert Smithson, others like John Safer that add motion and monumentality to the theme of purity of the line. leading the contemporary abstract sculpture in a new direction. During the 1960s and 1970s, figurative statues by pop artists and modernist artists in forms were made by artists such as: George Segal, Claes Oldenburg, Arman, Leonard Baskin, Ernest Trova, Marisol Escobar, Paul Thek, Manuel Neri and others became popular. In the 1980s some artists, among others, explored the figurative statue was Robert Graham in the classic articulation style and Fernando Botero brought his "great figure" painting into monumental sculptures. The ceramic sculptures as practiced by Pablo Picasso, Peter Voulkos, Stephen De Staebler, Kenneth Price, and others became an important idiom of the modern sculpture of the 20th century.
Gallery of modern sculptures
Contemporary movement
The specific artwork and environment of the venue are displayed by artists: Andy Goldsworthy, Walter De Maria, Richard Long, Richard Serra, Robert Irwin, George Rickey, and Christo and Jeanne-Claude who lead the contemporary abstract sculpture in a new direction. The artists created a statue of the environment on the vast sites in the project group "land art in West America". The art of this land or sculpture of an environmental scale "art of earth" works exemplified by artists such as Robert Smithson, Michael Heizer, James Turrell (Roden Crater). Eva Hesse, Sol LeWitt, Jackie Winsor, Keith Sonnier, and Bruce Nauman, among others are the pioneers of the Postminimalist statue.
Also during the 1960s and 1970s such diverse artists as Eduardo Paolozzi, Chryssa, Walter De Maria, Claes Oldenburg, George Segal, Edward Kienholz, Nam June Paik, Wolf Vostell, Duane Hanson, and John DeAndrea explored abstractions, imagery, and figurations through video art, environment, light sculpture, and installation art in new ways.
Conceptual art is the art in which the concept (s) or ideas (s) involved in the work take precedence over aesthetic and traditional material problems. Jobs include One and Three Chairs , 1965, by Joseph Kosuth, and Oak Tree , 1973, by Michael Craig-Martin, and people from Joseph Beuys and James Turrell others.
The postmodern statue occupies a wider field of activity than the Modernist statue. Rosalind Krauss identifies the sculpture in the expanded field, a series of contradictions around the working relationship with his environment depicting various activities such as a postmodern sculpture, creating a theoretical explanation that can adapt the development of Land art, Minimalist statues, and site-specific art into the "sculpture ":
- Site Construction: architectural and architectural intersection
- Axiomatic Structures: a combination of architecture and not architecture
- Site tagged: combination of landscape and not landscape
- Sculpture: non-landscape intersection and not architecture
Minimalist
Postminimalism
Contemporary genre
Modern sculptures are often made outdoors, as in environmental art and environmental sculpture, often in full view of the audience. Light sculptures and location-specific art also often take advantage of the environment. Site-specific artworks are purposefully created for a specific place. The term was first used in the mid-1970s by sculptors Patricia Johanson, Dennis Oppenheim, Athena Tacha, and others. The location-specific environmental art is described as a movement by architectural critic Catherine Howett and art critic Lucy Lippard. Land art, Earthworks, (Earth art) is an art movement that makes the special use of a real landscape to form sculptures that lie in and utilize nature generally in an altered form. It is a sculpture made in nature, from nature, using materials found in nature such as dirt, soil, stones, wood, twigs, leaves, and water, as well as man-made materials such as chain-link fences, barbed wire, , rubber, glass, concrete, metal, asphalt, and mineral pigments. Ice sculpture is a form of mortal statue that uses ice as raw material. It's popular in China, Japan, Canada, Sweden, and Russia. The ice sculptures feature decorations in several dishes, especially in Asia. The kinetic sculpture is a statue designed to move, which includes mobile phones. Snow statues are usually carved from a block of snow about 6 to 15 feet (4.6 m) on each side and weigh about 20-30 tons. The snow is solid into shape after being manufactured by artificial means or collected from the ground after a snowfall.
Voice sculptures take the form of indoor sound installations, outdoor installations such as aeolian harps, automatons, or more or less near conventional musical instruments. Voice sculpture is often location-specific. Art toys have become another format for contemporary artists since the late 1990s, such as those produced by Takashi Murakami and Kid Robot, designed by Michael Lau, or handmade by Michael Leavitt.
See also
References
External links
- Articles on Minimalist Art at He Dia Beacon's "Beacon" Museum, Tiziano Thomas Dossena, Apulia Bridge USA N.9, 2003
- Tate, Definition of Minimal Art
- Tate Glossary: ​​Minimalist
- MoMA, Artistic Terms Minimalist
Source of the article : Wikipedia
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